James Bearden (b. 1964)
American, 2017
Blackened steel with 24-karat gold gilding
The elongated asymmetrical form recalls a futuristic skyline or industrial landscape, rising from a heavily textured pedestal base. Designed to hold multiple candles, the work occupies the space between sculpture and functional object. Traces of colored wax applied by the artist remain within several of the candle cups, adding subtle tonal variation and evidence of use.
Executed with heavily worked surfaces and layered patination, the candelabra presents a different profile from each viewpoint. The combination of blackened steel, gilding, and accumulated wax contributes significantly to its character.
James Bearden (American, b. 1964) is an abstract sculptor whose work explores the intersection of sculpture, architecture, and functional design. Working primarily in metal, Bearden has produced a number of ongoing series, including Cathedral, Assemblage, Voids, and Lunar Blooms. His work is held in corporate, municipal, and prominent private collections.
REFERENCE
New York Design Center, The Gallery at 200 Lex, James Anthony Bearden: Technical and Aesthetic Revelations, January 10–February 25, 2020.
LITERATURE
L. Weinberg, “Bold and Beautiful: Brutalism Is Making a Star of James Bearden,” Interior Design, January 2017.
T. McKeough, “Experience James Bearden’s Primal Metalwork,” 1stDibs Introspective, February 6, 2017.
V. L. Ingham, “The Brutal World of James Bearden,” dsm magazine, May–June 2017.
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