Welded, blackened, and textured steel
From James Bearden’s Cathedral series, the work is composed of stacked and suspended architectural forms arranged within a vertical framework. Open cubic elements and projecting linear forms create shifting negative spaces throughout, while the textured blackened steel surface contributes significantly to its character.
Industrial materials and fabrication techniques are combined with architectural forms and heavily worked surfaces, a recurring theme throughout Bearden’s work.
James Bearden (American, b. 1964) is an abstract sculptor whose work explores the intersection of sculpture, architecture, and functional design. Working primarily in metal, Bearden has produced a number of ongoing series, including Cathedral, Assemblage, Voids, and Lunar Blooms. His work is held in corporate, municipal, and prominent private collections.
REFERENCE
New York Design Center, The Gallery at 200 Lex, James Anthony Bearden: Technical and Aesthetic Revelations, January 10–February 25, 2020.
LITERATURE
L. Weinberg, “Bold and Beautiful: Brutalism Is Making a Star of James Bearden,” Interior Design, January 2017.
T. McKeough, “Experience James Bearden’s Primal Metalwork,” 1stDibs Introspective, February 6, 2017.
V. L. Ingham, “The Brutal World of James Bearden,” dsm magazine, May–June 2017.